8 July 2022
Brazil - Cross Dynamics of Otherness
There is a sense of historical impotence when one is confronted with the mavericks perpetrated by Brazilian government in recent years. One of the most significant outcomes from such lines of action are the scorch and beratement of dialectical trajectories. To subtract or deny the possibilities of dynamism brought by such trajectories is to prohibit the transitions, transgressions, and transversality that they entail thus lacerating the very multi-layered fabric that constitutes Brazil and South America.
Following Zalamea’s reflections on South America, the notion of weaving — interlacing — and pendular movements — back-and-forth — become key instruments to navigate the complexities brought into being by Brazilian cultures over the past few years. Both internally and externally, its outcomes seem to thrive on bipolar trajectories. Magic and science, become magic-as-science and science-as-magic; local and universal, become local-universe and universal-locale. Such manoeuvres are easily observable in the ever-expanding scale of a single condo in Kleber Mendonça Filho’s Aquarius, or in the sinusoidal epistemological games in Ana Vaz’s Apiyemiyekî?. All confirmations of Brazil as a pivotal platform in producing, holding, building upon, and cherishing the results of such pendular movements. This pendular movements also suggested Portuguese artists to immerse in the political and historical convulsions of Brazil’s geography. In this sense, both Susana de Sousa Dias investigation on Fordlândia and João Salaviza / Renée Nader Messora living project in the Krahô community testify the need to understand other alterities and to negotiate very different world views.
At this year’s Porto Summer School, participants will be immersed in these discussions, participating in daily workshops with these artists, who will be in Porto during the first week of July 2022. Between artistic practices, creative atmospheres, and a historical and contemporary dive into the epistemologies of the South.
Furthermore, the Summer School will open a call for workshops (see details here) proposed by artists that could address these pressing issues. We encourage proposals led by women, people of colour, indigenous people and LGBTQIA+.
INVITED ARTISTS AND SCHOLARS
João Salaviza + Renée Nader Messora
Kleber Mendonça Filho
Lilia Moritz Schwarcz
Susana de Sousa Dias
More to be announced.
The Summer School intends to be an advanced course of new practices of cinema, combining a critical thought with the contact with great creators of film and contemporary art. The course is directed to artists, filmmakers, critics, thinkers and scholars. The diversity of procedural approaches, as well as the decisive themes of the present world, will be presented by directors/artists of great international relevance, assisted by thinkers, critics and academics who will discuss the work developed during the week. The Summer School is structured in six days, and each day is dedicated to one of the directors/artists who, at different times and with different structures, will be in direct contact with the participants, in a creative and informal environment.
EUR 500: The fee includes workshops and lectures with the confirmed artist and scholars; and the morning workshops (open call). The fee does not include accommodation.