Salzburg International Summer Academy of Fine Arts

Past courses

Processing our Days

Make Yourself at Home: Painting from Away

Everything You Ever Wanted to Know About Curating and a Few More Questions

D.I.Y. Artist's Book

Untitled

Minerals and Overalls

The Self and the Other

The Present and Disharmony

Vocabularies for Counter-Histories

Discovering One's Own Universe

Recently Deleted, Other Albums and Camera Roll

Telling the Present

Albatross on the Fortress

The Eye as a Window

Montage, My Beautiful Trouble

Drawing in Motion

What Makes a World? - A Horizon

Writing in, on and Through Art. From Art Criticism to Creative Writing

Collaborative Lecture Performance

Minerals and Overalls

To Share in Learning from the Great Ocean

Spatial Hijacks by Sculpture

Image and Background

The Art of Art Writing

Drawing as Fictioneering

Exhibitionary Communities

Queering and Survival

Dictionaries and Aporias

Picture Generation

Becoming "Lumbung"

Making Spatial Stories

Digital Storytelling

Social Environment and Self-Image

Social Environment and Self-Image

Panorama

Editing as Practice: Developing Personal Voice

This Time Tomorrow

Editing as Practice: Developing Personal Voice

Fragility and Resilience: Queering Strategies Revisited

Living Environments and Self-awareness

Exhibition-making and the Multiplicity of Artistic Languages

Speculative World Building

Saltwater Sensibilities: Poetry and Movements of the Great Ocean

Minerals and Overalls

The Un-scene: Capturing the Absence by Wandering

Witnessing Loss: Memory and Culpability

Experimental Education Protocol 4: The Ethereal Forest

Painting Pictures

Provocation and Magical Terrorism

Translating Spatial Stories

Spatial Negativity and Hijacks Through Hybrid Materiality

Harvest the Harvests

Sharpening Pencil and Thoughts

Personal Patterns

Art Critique

How to Write About Art with Jennifer Higgie